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In this new book, Mark Wheeler offers the first in-depth analysis of the history, nature and global reach of celebrity politics today. Celebrity politicians and politicized celebrities have had a profound impact upon the practice of politics and the way in which it is now communicated. New forms of political participation have emerged as a result and the political classes have increasingly absorbed the values of celebrity into their own PR strategies. Celebrity activists, endorsers, humanitarians and diplomats also play a part in reconfiguring politics for a more fragmented and ima

In this new book, Mark Wheeler offers the first in-depth analysis of the history, nature and global reach of celebrity politics today. Celebrity politicians and politicized celebrities have had a profound impact upon the practice of politics and the way in which it is now communicated. New forms of political participation have emerged as a result and the political classes have increasingly absorbed the values of celebrity into their own PR strategies. Celebrity activists, endorsers, humanitarians and diplomats also play a part in reconfiguring politics for a more fragmented and image-conscious public arena. In academic circles, celebrity may be viewed as a 'manufactured product'; one fabricated by media exposure so that celebrity activists are no more than 'bards of the powerful.' Mark Wheeler, however, provides a more nuanced critique contending that both celebrity politicians and politicized stars should be defined by their 'affective capacity' to operate within the public sphere. This timely book will be a valuable resource for students of media and communication studies and political science as well as general readers keen to understand the nature and reach of contemporary celebrity culture.

Cover -- Title -- Copyright -- Contents -- Acknowledgments -- Introduction -- 1. 'Trade Follows Film': The History of the US Film Trade from 1900 to 1950 -- 2. The US Film Industry and Trade from 1950 to the Present Day -- 3. The MPPDA, the Production Code and the Ratings System -- 4. The Political History of Classical Hollywood: Moguls, Liberals and Radicals -- 5. The Politics of Hollywood Labour -- 6. Contemporary Hollywood Trade Unionism and the Rights of a Diverse Workforce -- 7. Campaign Politics, Activism and Hollywood Showbiz -- Conclusion -- Bibliography -- Index.

The Home Box Office's series The Wire (2002–2008) provides an informed critique of the decline of the democratic American ideal of the 'city upon a hill'. From its inception as a police procedural, it expanded its interests across the dystopian city of Baltimore to consider the linkage between drug crimes, policing, the collapse of blue-collar life, social deprivation, institutional compromise, the public school system, media compliance and political self-interest. Therefore, this article will situate The Wire into the debates that have defined the US polity and will discuss how it employs the narrative conventions of a contemporary thriller to offer an alternative view of American democracy.

In a seminal article published in 2004, John Street argued that celebrity politics has provided a greater expression for the enhancement of democratic behaviour. Consequently, this analysis builds on Street's thesis to consider the worth of celebrity politics in an era of late modernity. To this end, it employs Henrik Bang's and John Keane's constructs of Everyday Makers and Monitory Democracy, which have emphasised the importance of 'involvement', 'voice' and 'output' in terms of representation, to provide an ideological framework to capture the value of celebrity politics. Subsequently, it may be argued that Barack Obama utilised a form of 'liquid' celebrity in his 2008 US presidential campaign to reconnect with a disenfranchised electorate. However, this article will critically assess these types of celebrity politics to contend that aggregated forms of 'input' drawn from celebrity activism may more truly affect political outcomes.